Damian’s Biography

Damian Thompson has taught on 6 continents and most of the countries that are on those continents.

Having been invited to perform for many national and international events in the past 18 years, Damian is a well known and popular dancer and teacher. Wherever Damian dances, there are always those that want him to return to share his technique and passion for this great dance!

Damian’s style is based on years of learning from many different maestros and tango styles. The teaching is based upon the on-axis style and using the principles of technique to achieve a symbiotic relationship with both the music and his partner. How Damian differs from most teachers, is that there is one consistent principle for leading all movements throughout his dance – once learnt and mastered, you will be able to break down all movements and apply this knowledge for an understanding and extremely effective lead and follow.

Many describe Damian as a very playful, fun teacher able to teach many levels in the same class as needed. Damian teaches and conveys both basic and complex concepts in a systematic, logical fashion. As a collaborator in the teaching and development of tango, a provocateur who inspires passion in the art of dancing tango, Damian’s classes are not to be missed!

Statement From Ani

“I have worked with Damian for over a decade and it has been an absolute pleasure. His unique perspective has broken the constructs of Tango down into bite sized easily digestible pieces. I have had the privilege of shadowing him working one to one and support teaching with him. There is no doubt that this experience has deeply influenced my own practice along with those I have seen him teach. And I very much look forward to bringing him back to Scotland and introducing him to those of you who are yet to experience his practice first hand.” Ani

Duet, an Elbow Room Dance Company project, was seen at the Lemon Tree Aberdeen in 2002

Footage from the Research and Development of Princess Pea.

What you can expect when you join us

A warm friendly welcoming environment

Tango made easy and fun

Tip top quality teaching from an experienced dance and movement specialist

Plenty of help and support with your learning from me and assistant Niall

An introduction and support to social dancing events

Opportunities to meet outside Tango to socialise

What do you need to bring?

Just yourself. You do not need a partner to come to any of our classes.

Shoes without rubber soles or socks.

Tango roles and swopping

If you do bring a partner, you will have the option to stick with them or rotate with the class.

You can choose to lead, follow or swap roles learning both, in any of our classes.

To find out more

You can click on any class or please do feel free to get in touch with me, Ani. I am always happy to chat to you about anything Tango. And if there is anything on this website that you looked for and couldn’t find I would like to hear from you.

We look forward to welcoming you!

Beauxartz for Channel 4 ECT

In the early stages of the creation of Medsmama, there was this space, a gap in my knowledge of her and her story and the story of the Armenians. Many survivors, like her, stayed quiet. It was hard to revisit, share, record and hand down such stories. So I was so privileged to have found and interviewed Astrid Aghajanian, who’s mother did share her story, of carrying Astrid, as a toddler through the atrocities that took place in Turkey between 1915-18 and eventually leading her to safety.

This interview continued into the realms of the complexities that emerged within the Armenian community in the aftermath, as they struggled to come to terms with pain, trauma and identity in diaspora. At this point the interview ends abruptly, as Astrid and I began to discuss and share notes on our experiences and find commonality. In many ways, not least the sense of not belonging and for me that I am only half Armenian after all. It all raises more questions still, that remain unanswered three generations later. In diaspora what from your heritage do you take forward? Can we separate our Armenian cultural heritage, or our perception of it removed as we are, from our wounding? And how is it preserved as it integrates with other cultures?

Very sadly, Astrid was refugeed again by the Turks having settled in Cyprus. As was my family. They, mine, also settled and were unsettled from Jerusalem and Beirut.

Although this interview took place in 2001, I remember all too clearly a sentiment that Astrid shared with me that must not be forgotten. That this is not ‘the Turks’. This is some misguided men, a few “bad men” she called them, a movement called ‘the Young Turks’. And that she had been rescued by Turks, “a good man”. It is a mistake some still make to blame ‘the Turks’ and I very much hope that as more of the Countries of the World recognise and acknowledge the genocide of the Armenians, that is estimated to have been anywhere between 1.5 and 3 million, that the community in diaspora can slowly take a deep let go.

A balancing act as we must be mindful to remember too, so that we can consider a time when the story does not keep on being repeated on the worldwide stage, learn from all these stories. There is a direct Hitler quote, that when in discussion over what to do with the Jews, he replied, “who, after all, speaks of the annihilation of the Armenian?”. That they did not, helped inspire him three decades later, as did Genghis Khan’s gruesome exploits, probably amongst many others.

I believe passionately that those who lost their lives would wish us to live vibrant joyful ones, not lost in the shadow of their lost lives. We owe it to them to live as richly and fully as as many men at once; it is almost a duty. Passionately and well in honour of them.

You can hear my interview with Astrid here soon. I would point out that some of the scenes she depicts are deeply disturbing but that ultimately the story is of survival and extraordinary resilience.

As part of Damian Thompson’s Residency in Aberdeen 2019 with Ani, they performed this Salon style Val at their Special Event Milonga. Alongside an exciting array of Workshops and opportunities to take Private one to one sessions with this International Tangauro, who’s reputation and reach, particularly for his quality unique teaching is continually expanding.

The Fyvie Homecoming was a Highland Clan Gathering, where Clan members from all over the globe come to revisit their roots, gathering together to share in their cultural heritage. And this year 2014, they chose to celebrate a previous Clan Chief’s links with Argentina by inviting an Authentic Argentine Tango performance under the shadow of the Castle. What a delight it is to be able to take our beloved Tango out and about to entertain, introduce unsuspecting audiences, sharing it’s wonder and hopefully inspiring non dancers to give it a go. And of course it is always a pleasure to dance with Micheal Freeman!

Dance Base Saturday Class now has a half hour Practica session to consolidate your Tango. I passionately believe Dance is a Practice you carry with you and to get Tango under your belt with true integrity, it takes quality Practice or ‘Practica’ time. This is where the Improvisation inherent in Authentic Argentine tango evolves as we take skills and moves we’ve learnt in class and decide which ones suit our style and personality as we discover our own dance. Where we hone the skills, so they become part of our experience and can flow easily without effort or thought. This is where at the end of class, you can practice anything you like at any level you like and get input from myself and or my terrific Assistant Niall Menzies, pictured here, who will always point you in my direction if need be. And we also offer occasional Deep Dives for the Practica hungry, where we look at how we practice as well as diving deeper in a small group.

It is a tried and tested format to learning Tango to have some Practica time post class and I am delighted that we are bringing that to you now in Edinburgh.

La Traviata was created in 2002 for the Haddo House Operatic Society. Ani also had the pleasure of choreographic the dance scenes for Martha in 2004